Last Thursday night, I was very honored to sing at the second annual A Good Grief Benefit Concert. I've talked about her before, but I just can't say enough. My friend, Molly, founded A Good Grief Foundation and has headed the concert the last two years. She is an incredible woman who has endured so much with such grace and strength. It was an evening that, much like last year's, was entertaining yet spiritual. The proceeds went directly to help pay for the cost of headstones for families burdened with the emotional and financial weight of losing a child. I imagine the event will continue for years to come, so if you are around, take the night off to go. I promise it's an evening you will remember. And if I'm a part of it next year, I'll be sure to remember to post about it on here.Now then...
I'm a little sad with myself that it's taken me more than a month and a half to post again. It's been an interesting little while, to say the least. Truthfully, I haven't had much to say... or rather, I haven't felt like what I've had to say is worth putting into cyberspace.
But maybe today, I can muster up the words - and courage, even - to say what's on my mind. Prepare yourselves, this is sure to be a long one.
I work 40 hours a week. Aside from spending time with my sister and friends, that's pretty much it... so what's the excuse for the lack of bloggage, Angela? Much like my first post in February, my brain and emotions have been a bit lucid, a bit flighty and disconnected. I don't like it. I hate to admit that my mind is in its best shape when I am rehearsing for or performing in a show. And it's been more than three months since my last show closed. I'm dying to be a part of something that excites me again.
Life isn't hard right now; I live a happy life; my job treats me well; my family is sweet, and my friends are, too. I'm just bored out of my ever-loving mind and need a boost to the brain, that natural high that allows me to feel like I'm contributing to society... even if I'm not.
Does that make me codependent on theatre? Probably.
My heart aches to get out of Utah, out of this stagnancy and into the New York state of mind. I find myself lost in thoughts of pursuing my performance career at full-speed for hours upon hours everyday.
In January of 2008, I had just turned 21 and was starting at a new school. From January until September 2008, I had auditioned for five shows and had been turned away from each one. During that time, my self-esteem was in the toilet, I had a pretty pathetic-looking resumé, I was a little on the hefty side and picked lousy audition pieces. Those nine months were miserable for me. I worked two jobs for most of it and participated in some stagehand opportunities at the school in order to retain my scholarship and, perhaps, some sanity, too. Finally, I auditioned for and was cast in Urinetown for my first show at Weber in August of 2008. Since then, save a one-and-a-half-month gap between Peter Pan and Joseph at Rodgers, I have not stopped rehearsing and/or performing. That's more than three years NON-STOP.
So, yes, co-dependency is definitely a possibility here.
Since this past December, I have auditioned for three shows and a video contest. And since this past December, I have been rejected from three shows and a video contest. Even typing the word "rejected" made me cringe. I have gone into these auditions and the contest with prepared and appropriate pieces, a relatively impressive resumé, and decent self-confidence. So what gives? Why do I feel like history is repeating itself from those downtrodden nine months in 2008? Why do I feel myself slowly lessening in self-confidence and questioning if I'm doing the right thing?
In 2008, I would have answered those questions with tears, more questions, and with the proclamation that "I'm just not good enough."
But not today.
Today, in 2012, as a 25-year-old with a bachelor's degree in Theatre Arts, I answer those questions with a simple, unemotional and grown-up response: it is the nature of the beast.
Granted, there are those people in this business who somehow just get everything handed to them, but those people are few and far between. I work to get what I want, and sometimes even when I work my patookiss off, the odds aren't in my favor.
All cards on the table, I cried after three of the four auditions; I made the reasoning behind my not getting cast extremely personal, because... well, that's what we do. But the fact in the business is this: you win some, and you lose some. And it IS personal, isn't it? It could be about your hair color, your height, your eyes, your ethnicity, your vocal range, your choice of song, how curvy you are, how not curvy you are, your dress, your Equity membership. It's a personal business and it's a business about people. Casting directors, music directors, producers, and choreographers are not my enemies. I may not always agree with or understand the outcome in casting, but what's done is done, and then it's time to move on to what's next.
But best of all, I know that just because I wasn't someone's first pick for a musical or play or contest, I am still a woman of immeasurable worth. It doesn't define me. I hate to sound so cliché in saying something like that, but it's the truth. I also know that because I work hard, I will be able to find work. And as long as I continue to love it and grow in it, I am absolutely in the right profession.
While I wish I had been able to accept these realities years ago, I feel that now is the perfect time. With my move to New York on the rise, and hundreds of auditions on the horizon, I appreciate the understanding that no audition or callback is unsuccessful. If nothing else, it's thickening my skin and giving me more experienced perspectives for the next one and making me more grateful for the next show I DO get cast in.
Fact: this little planet called Theatre is an odd one... but it is one that I can call home. Because home is where the heart is.






